Notes on the Arts by Marilyn Rowland

Notes on the Arts by Marilyn Rowland

Subscribe  |  Share    |  Print

Archive for the ‘Music’ Category

Pops by the Sea

Tuesday, August 3rd, 2010

Sunday’s TD Bank 25th Anniversary Pops by the Sea concert, presented by the Arts Foundation of Cape Cod, was a spectacular, star-studded event, with special guests Rachael Ray, Chris Cooper, and Idina Menzel, as well as local talent: the Colum Cille Pipes and  Drums of Sandwich who began the evening performances with a march down to the main tent, and Kandice Wood of South Dennis followed with a beautiful arrangement of “The Star-Spangled Banner.”

The real star of the show was, of course, Keith Lockhart and the 73-piece Boston Pops Esplanade Orchestra, celebrating the 125th of the Boston Pops, and bringing a glorious array of music to the Hyannis Village Green on a gorgeous summer afternoon.

The concert was sold out, and the green was packed with people, their lawn chairs as close as possible to allow more and more people in, an estimated 15,000, a large crowd for downtown Hyannis.

After the national anthem, Rachael took the stage to conduct “The National Emblem March,” joking about how nervous she was, but that former Pops guest conductor William Shatner had assured her that all she had to do was wave the baton around and the orchestra would know what to do.

They did, and Rachael came through it all just fine, adding her own warm humor to the event.

Rachael Ray prepares to conduct.

After a rousing performance of Aaron Copland’s “Hoedown” from Rodeo (made famous, Lockhart said, by the “Beef, it’s what’s for dinner” commercial), Lockhart provided a short history of the Pops, which has had 17 conductors from 1885, the year it was formed, until Arthur Fiedler took over in May of 1930. Understanding popular preferences, Lockhart said, Fieldler was “a huge advocate of American musicians and composers” and shaped both the orchestral sound and public taste to create one of the world’s most popular orchestras: “American’s orchestra.”

John Williams took over in 1980, and Lockhart has been conductor since 1995.

Lockhart paid tribute to Fieldler’s influence by conducting Aaron Copland’s “Hoedown” from Rodeo, or, as he put it, the “What’s for dinner?” theme from the beef commercial.

And he honored Williams with the flying theme from “E.T., The Extra-Terrestrial,” one of many movie scores he composed. As if on cue, a cluster of five red balloons broke loose and wafted off into the clear blue sky.

Fieldler, said Lockhart, knew that people liked to sing along, and offered opportunities for them to do so on “Old-Timer’s night.” When Lockhart arrived, he was told by some outspoken older audience members, even one in his 90s, that they did not consider themselves “old-timers,” and the term “sing-along” came to be used instead.

Yesterday’s sing-along featured music of the Beatles, “adding a new tradition to the old tradition,” said Lockhart.

“The Beatles sing-along began with “Sgt. Pepper’s Lonely Hearts Club Band,” not an easy song to sing along to, though the words were printed in the program. But the words fit: “the singer’s going to sing a song, and he wants you all to sing along.” This was followed by “With a Little Help From My Friends (“Lend me you ears, and I’ll sing you a song, and I’ll try not to sing out of key), “Twist and Shout” (the crowd was particularly vocal on the ahhhh, ahhhh, ahhhh, ahhhh part), and “Yellow Submarine,” which had a nice mellow, community feel.

Chris Cooper reads "The Dream Lives On."

Next was actor Chris Cooper’s narration of “The Dream Lives On: A Portrait of the Kennedy Brothers,” with music by Peter Boyer and words by Lynn Ahrens, which was commissioned by Lockhart last fall. The words, largely quotations from each of the three brothers in turn, speak to the legacy of the Kennedy brothers, their idealism and enduring sense of optimism, “a human vision of what our country can be.”

It was not only the words, by their delivery, by the Jack, Bobbie, and Ted, that made them so eloquent and effective. Chris Cooper gave the words, many of which we know by heart, renewed vigor,  backed by the inspiring orchestral music.

It was particularly meaningful, in such close proximity to the Kennedy Museum on Main Street and Hyannisport. (The Kennedys had been on my mind, having seen, on Saturday night, a preview of the Cotuit Center for the Arts’ “American Camelot” exhibit of photographs, paintings, and sculptures of the Kennedy family. CCftA’s production of “Camelot” opens Thursday, August 5.)

Part of the huge crowd at the Hyannis Village Green

After intermission, vocalist and actress Idina Menzel took the stage. Star of Broadway hits “Wicked” and “Rent,” and a recent addition to the popular television series “Glee,” Menzel was a big hit with the crowd, particularly the younger members.

She seemed surprised that the audience was so attentive, her green dress matching the color of the leaves on the trees of Hyannis Village Green.

“I’m really a wedding singer at heart,” she said. “I’m expecting people to be clinking glasses. You’re all so nice . You’re really listening. I appreciate that. I could cry.”

There was plenty of reason to listen. Menzel has a beautiful voice, and she sang a hauntingly beautiful “Love for Sale,” and some of her big hits: “No Day But Today” from “Rent,” and “For Good” and “Defying Gravity” from “Wicked.”

Idina Menzel

She talked about her 11-month-old baby, Walker Nathaniel Diggs, with husband Taye Diggs (they met on the set of “Rent”) and how their “good morning” baby talk evolved into both a rap and a song, a jazzy, bouncy, bubbly song that she shared with us.

She offered a poignant “Funny Girl,” which she had recently sung on “Glee.” As an encore, she sang a moving “Tomorrow” from “Annie,”  ”the song my mother always made me sing at family gatherings.”

By this time, the crowd, growing fearful of being caught in the huge outgoing traffic jam, had begun to disperse. It was sad to see so many people leaving while Idina was still singing. Fortunately for me, though, it opened up a spot where I could stand, shielded by a tree, and catch her last song.

The orchestra ended with “Stars and Stripes Forever.” While, as you can see, people continued to stream out, most of the audience thoroughly enjoyed it.

A wonderful concert!

“Guys and Dolls” — Every Song’s A Winner

Wednesday, July 21st, 2010

Kyle Yampiro as Nathan Detroit and Miss Adelaide (Brynn Lewallen as Miss Adelaide in CLOC’s “Guys and Dolls.”

By MARILYN J. ROWLAND
Frank Loesser’s “Guys and Dolls,” currently being presented by the College Light Opera Company at Highfield Theatre in Falmouth, is one of those rare musicals in which nearly every song is a winner. It has such memorable solos and duets as “If I Were A Bell,” “I’ve Never Been in Love Before,” “Adelaide’s Lament,” and “Sue Me,” as well as show-stopping ensemble pieces: “The Oldest Established, Permanent Floating Crap Game,” “Take Back Your Mink,” “Luck Be A Lady Tonight,” and “Sit Down You’re Rockin’ the Boat.”

It tells an engaging story of gamblers, gangsters, showgirls, cops, and missionary workers in New York City during the 1930s, based on the short stories of Damon Runyon (as rewritten by Jo Swerling and Abe Burrows). The colorfully named characters (Harry the Horse, Nicely-Nicely) speak in picturesque language that combines vernacular street talk, formal speech (avoiding contractions, for instance), and unusual constructions, adding a humor of its own.

After a fine overture by the orchestra, the show opens on a busy street scene in New York, the night skyline represented by white rectangles and strings of lights. There is an entrance to the subway and a newspaper stand. The assorted population of the city saunters by: sailors, high society women, showgirls, schoolgirls, and assorted characters of the city.

Nicely-Nicely Johnson (Conner Lewis), Benny Southstreet (Gabriel Di Gennaro), and Rusty Charlie (Alexander Daly) open with “Fugue for the Tinhorns” (I Got the Horse Right Here), a creative three-part fugue on picking horses, and the cast members render it in a satisfyingly upbeat fashion, though they seem very young and innocent, not the seasoned gamblers they are portraying.

Mr. Lewis and Mr. Di Gennaro later unleash an energetic “Guys and Dolls” ( When you see a guy/reach for stars in the sky/You can bet/that he’s doin’ it for some doll.)

Members of the Save-A-Soul Mission enter, introducing Sarah Brown (Rachel Marschke) and Arvide Abernathy (Michael Puglia), who are seeking souls to save.

They are ignored by the gamblers, led by Nathan Detroit (Kyle Yampiro), who need a place for their floating crap game, safe from the prying eyes of Lt. Brannigan (Patrick J. Hagen). “The Oldest Established” was a rousing production with the men costumed in colorfully diverse suits and hats, and it ended with a dramatically held pose.

Miss Adelaide (Brynn Lewallen), Nathan’s fiancée of 14 years, arrives with an anniversary present for him, the card reading, “Sugar is sweet, and so is jelly, put this belt around your belly.” Ms. Lewallen shines in this role, giving Miss Adelaide a sweet saintliness as well as a streetwise sensibility.

Her songs, “A Bushel and a Peck” (with the Hot Box Girls gloriously feathered as chickens, at the nightclub where she performs), “Adelaide’s Lament,” “Take Back Your Mink,” “Sue Me” (with Mr. Yampiro) and “Marry the Man Today” (with Ms. Marschke) are always enjoyable and humorous.

Her  lament (“just from waiting around, for that plain little band of gold, a person can develop a cold”), sung to Nathan, is particularly endearing, and the duets are great fun.

Sky Masterson (Brad Baron) arrives on the scene, and Nathan hopes to find a bet he cannot lose, in order to win from him the $1,000 he needs to pay for the use of the Biltmore Hotel Garage for an evening of crapshooting. This leads to Sky’s involvement with Sarah Brown, and the two fall hard for each other, though, of course, problems separate them for a time.

Mr. Baron and Ms. Marschke blend harmoniously as they sing “I’ve Never Been In Love Before,” and Mr. Baron has a strong speaking and singing voice. Ms. Marschke’s speaking voice was much quieter, and it was sometimes hard to understand her, but she was exuberant in “If I Were A Bell” and her duos with Mr. Baron and Ms. Lewallen.

Mr. Puglia, as Arvide Abernathy, who has a relatively small role in this show, contributes heartfelt emotion with his expressive rendition of “More I Cannot Wish You.”

“Sit Down, You’re Rockin’ the Boat,” led by Mr. Lewis, was terrific, full of vitality, as was the closing reprise of “Guys and Dolls” by the ensemble.

Brandon Grimes is great as Big Jule, who brings his own dice to the game; he has removed the spots, but remembers where they were; and Amanda Forker plays General Matilda B. Cartwright with an appropriate mix of sternness and vulnerability to the charms of Sky.

Stage direction for the show is by Michael Canestraro, and music direction is by Elizabeth Hastings. Heidi Kloes is the choreographer. Costumes were designed by Kake Boucher, and the set design and technical direction are by Tim Boucher.

The show continues through Saturday, July 24, at 8 PM. There is also a matinee Thursday, July 22, at 2 PM. Tickets are $30 and are available by calling 508-548-0668, or by visiting the CLOC box office, 58 Highfield Drive, in Falmouth. Box office hours are Monday through Saturday from 10 AM to 12:30 PM, 2 to 5 PM, and 7 to 9 PM.

**

A special 100th anniversary production of “Naughty Marietta” opens Tuesday, July 27, and runs through Saturday, July 31. There will be a special lecture by Victor Herbert scholar Alyce Mott on “Victor Herbert’s Enduring Legacy” on Saturday, July 31, at 3 PM, at Highfield Hall in Falmouth. The talk will focus on Mr. Herbert’s influence on the American operetta. The event is free and open to the public. Refreshments will be served. Call the box office to reserve a seat.

**

The following day, Sunday, August 1, is the annual CLOC Orchestra Soiree Concert, which takes place at 7:30 PM at the Cape Cod Conservatory, across the parking lot from Highfield Theatre. The event is free and open to the public.

A Look at Falmouth’s Arts Alive Festival

Monday, July 5th, 2010

I love Arts Alive. It is a wonderful display of local arts and music with a great sense of community.  It took place this year on Friday, Saturday, and Sunday, June 18 to 20, and I took videos of various events to share with you.

A taste of Arts Alive. Roger and Judy Day, coordinators of  Arts Alive, say hello.

The Russ Wilcox Band helped to kick things off on Friday night with mellow jazz that got people dancing:

Later, Groovy Afternoon rocked the Town Dance, bringing out more dancers.  Christine Mascott is the lead singer, sounding like Janis Ian, Grace Slick and other woman singers of the 1960s and 70s. Other band members are Paul Mascott on lead guitar), Tracy Ferrie on bass, Byrd Preston on rhythm guitar, and Andrew Ianniello on drums.

On Saturday, artists and craftspeople set out their paintings, jewelry, pottery, fiber arts, and more, filling Shore Street Extension with arts of all kinds.

The Falmouth Artists Guild had a booth, staffed by Kathy Taylor, who told me about guild activities.

Kim Collins of Artful Beadworks had some beautiful beaded necklaces on display and was busy working on more.

Tamara Clark showed off her natural science illustrations and sparkly fish T-shirts.

Singer-songwriter Annie Rich sang her own compositions, folk, and popular music. Here, she sings “You’ve Got a Friend.”

Photographer Suzanne Livingstone shows off some of her photographic note cards.

Donna Vaness of Bead Muse talks about her jewelry: beads, ‘text tiles,” and ancient rocks.

The Sonnay Fiddlers took the stage to play “100 Pipers” and “Cock of the North.” Nikki Engstrom leads this group of her young and not-so-young students. Sonnay stands for “students of Nikki, not all young.”

Tobai Leighton offered instruction in knotting, for children and teens. They made necklaces, bracelets, anklets, and bookmarks.

Hollis Engley of Hatchville Pottery had functional pottery for all types of uses.

The Falmouth Flute Choir played flute music, here, excerpts from a longer piece, “Galway Fantasie.” Playing with the flute choir are, from left, around the semi-circle, Denise Dias, Fran McLean, Marilyn Brice, Tamara Clark (who also exhibited her art in the festival), Marilyn Rowland (me), and Kathryn McGlynn. (Tamara’s husband Peter shot this video for me.)

Nicole Bergeron talks about making Ukrainian eggs from real eggs.

Entertainment of Saturday featured rock bands and lots of them. Here are some performances by Funktapuss and DoubleBind.

I was sorry not to be able to attend on Sunday. There were many more musicians, entertainers, and artists and craftspeople. The weather was perfect–a great weekend for the arts!

Mwalim on Music

Thursday, April 8th, 2010

I spoke with Mwalim (Morgan James Peters) of Mashpee on March 28 outside the Nimrod Restaurant in Falmouth, where he performed as part of a fundraiser for the Masonic Temple’s Angel Fund. (The fund supports children in need. Mwalim is a presiding member of a Prince Hall Freemason lodge.)

Mwalim describes himself as a Black-Wampanoag performance artist and arts educator. His name is pronounced “mwah-leem,” which means “teacher” in Ahramic. In Wampanoag, his name is “Kukutumtunup” or “Speaking Turtle,” which also means “teacher.”

Mwalim is unique and multitalented: he is a singer, pianist, percussionist, composer, performance artist, record producer, author, poet, playwright, screenwriter, actor, director and professor of English and African American studies at the University of Massachusetts at Dartmouth.

In the first video clip, below, he talks about his first two CDs, “The Bass Mint Brothers” and “The Liberation Sessions,” as well as his third, which he expects to be released in October. His music can be describe as R&B, jazz, soul, Afro-beat, or house music (a style of electronic dance music influenced by soul, funk, and disco.)

“The Liberation Sessions: Soul of the City” is an imaginative CD, reflecting not only Mwalim’s musicianship, but his personal philosophy and his sense of humor. The CD is presented as an hour of programming  on a black urban radio station, WBAR-FM (Black Ass Radio), “where the DJs sound cooler than you can ever hope to be.” The DJ, Bob B., is very cool, silky smooth, and the music is earthy R&B, cool jazz, and very engaging. We hear the reverberating station jingle, the news with Ron E. (about the demise of black urban radio stations), and lots of good music.

The album has been nominated for many awards (Best R&B CD, Best Spoken Word CD, Best Producer, Best Caribbean Male Vocalist, Best R&B Single, and Best Caribbean Singel for “Dem Big Girls”), and deservedly so. Mwalim’s music video of “Dem Big Girls,” which he sang at the fundraiser, is on Youtube.

Mwalim also spoke to me about his recent appearance in “Porgy & Bess: Music and Stories,” which was presented March 5 to 7 by the Cotuit Center for the Arts. As Morgan James Peters, he gave the pre-performance talk, an interesting and informative discussion of African Americans in the theater. He also played the role of Sportin’ Life, singing, ““It Ain’t Necessarily So,” a song he has incorporated into his musical act.

For more information on Mwalim, see his websites:

Mwalim’s Jazz, Funk’n Folklore, The Portal to Everything Mwalim,

Mwalim’s Word Lounge,

his MySpace page,

his CD Baby page, or

his Facebook Fansite. Mwalim knows how to communicate.

John and Rachel Nicholas: “Here You Are”

Monday, March 29th, 2010

John and Rachel at their home in East Falmouth.

“Here You Are,” John and Rachel Nicholas’s new CD, which John recorded himself in his home studio, has been three years in the making and is a tribute to their 32-year journey together. The ten songs on the album, all written by John, with input from Rachel, are thoughtful and bittersweet, reflecting their growth through time, geography, music, and life’s trials and tribulations; they express, above all, their love and support of each other and their family and friends. The lyrics are intelligent and poetic, and the music, in a soulful acoustic Americana folk style, with a touch of rock and showcases both of their voices and blends the two in compelling harmonies.

(more…)

Two Irish Duos At the Navigator

Friday, March 26th, 2010

I celebrated St. Patrick’s Day a couple of days late by heading over to the Navigator Coffeehouse in East Falmouth, where The Lindsays and Stanley and Grimm, two fine Irish duos, were performing. They played an entertaining mix of Irish, American, and international music, and bantered with each other: Sean Brennan, who is of Irish descent, though from Tennessee, teased Ireland native Stephen Lindsay by saying that it is the Irish Americans who play more Irish music–back in Ireland the Irish session players may be more interested in American singer/songwriters.

No matter; it was all fun, and all four musicians (Susan and Stephen Lindsay of–obviously–The Lindsays, and Nikki Engstrom and Sean Brennan of Stanley & Grimm) are talented and engaging performers. The men played guitar and sang; Nikki played violin, and Susan won the prize, as Sean pointed out, for playing the most instruments: Irish flute, tin whistle, and alto and soprano sax. I particularly loved her on the alto sax, not an instrument you usually find in an Irish band.

Their finale captures the essence of the evening: The Lindsays start it off with Susan on the Irish flute, Stanley & Grimm take over, and then all four play together, this time with Susan on the alto sax.  The tunes are: Christmas in America/Jean’s/Catharsis.

(more…)

A Glorious Fourth of July

Saturday, July 4th, 2009

There is nothing like a parade, especially on the 4th of July, and especially in Falmouth, which boasts a number of neighborhood parades. My family and I have been participating in the Moores Parade for several years now, me on flute, my son and daughter in playing sax and clarinet in various years, and my husband joining in on drums on occasion. It has always been a very festive parade, ending up back the home of Fran and Walter McLean for a wondrous potluck feast.

paradeharborhouse

This year we were invited to participate in the the Quissett parade by Joyce Gindra, who has taken over leadership of the band. I played flute, and my husband took photos. The Quisset parade starts at the Quissett Harbor House (to the left in the photo above), winds around the harbor, and turns around on Route 28A, returning to the Harbor House.

paradestart2

It was a beautiful day, sunny, but not hot, and we started off energetically, playing as we marched: “Yankee Doodle,” “The Battle Hymn of the Republic,” and other tunes. This was the first time I have ever marched and played at the same time. The Moors band marches along, but stops to play songs along the way, then begins marching again. I have to admit it took some getting used to, to hold the flute just right so that the music was in view, and not bouncing around too much. In high school, I was one of a few who was not accepted for the marching band (I actually fainted during one incredibly hot August band rehearsal), so it was an accomplishment just to walk and play at the same time–no fancing march steps were involved today!

paradeharborview

The band and the parade itself was made up of people of all ages and marching abilities, and it was fun to be a part of it, as it rounded Quissett Harbor.

paradebikes

Bagpipers played, and children on decorated bikes and scooters had a great time.

paradeoldcar

There were many decorated cars of all vintages.

paradecardog

And there were decorated dogs, riding, walking, and watching the parade.

paradepolitical

Political statements were made. This one has to do with the Appalachian Trail and Gov. Sandford.

paradeviolin

There was a violinist and another string instrument player behind her that I can’t quite identify.

paradedragon

And there was a brightly colored serpentine dragon that stretched out for miles, or so it seemed.

paradebandreturns

And all too soon, it was over. The band brought the festivities to a close with a concert of patriotic tunes. We got to play sitting down, and the sheet music stopped bouncing, and a good time was had by all.

Tonight the fireworks! Hope your Independence Day is glorious too!

Summer Begins…

Tuesday, June 16th, 2009

Summer really begins this week in Falmouth, with the start of the every-Thursday Falmouth Farmers Market in Peg Noonan Park on Main Street and the ArtMarket across the street in Town Hall Square.

Arts Alive, a three-day extravaganza of  local arts and entertainment activities begins Friday night with a Town Dance.

For more information on Arts Alive, and a schedule, click HERE.

For more information on the Farmers Market, pick up today’s paper. There is even a recipe for an omelet with spring herbs.

For more on the ArtMarket, see below:

Falmouth Cultural Council’s first ArtMarket is Thursday from 3 to 8 PM at Town Hall Square, on Main Street in Falmouth.

ArtMarket, which runs all summer on Thursday afternoons and evenings, features 30 local artists who create and sell paintings, greeting cards, ceramics, jewelry, fabrics, collage, glass and sculpture. Highlighted this week are galleries and showspaces and summer arts classes.

There is also information about what is going on around town: events, art shows, classes, performances, and festivals.

Musical entertainment this week, June 18, features, from 3 to 5:30 PM, the Duckham Duo, a clarinet and guitar duo playing swing era standards and jazz. From 5:30 to 8 PM, Manny and Linda Dias sing and play folk acoustic music on guitar and fiddle.

Sounds like fun to me!

Christmas in Falmouth Begins

Friday, December 5th, 2008

Christmas officially begins in Falmouth this weekend with Santa’s arrival Saturday morning, by boat, at the Flying Bridge Restaurant, where he is met by eager children and their parents (who are sometimes even more excited) and the Falmouth High School Chorus, singing holiday songs; the lighting of the Christmas tree on Saturday evening; and the Christmas parade down Main Street on Sunday.

This year, a new tradition begins: the Falmouth Theater Guild’s “Holiday Celebration,” with shows at 4 PM Saturday and Sunday. I saw the dress rehearsal last night and enjoyed this folksy Christmas celebration featuring local talent and lots of heart. The show is about an hour long; it is intended for the whole family, featuring music from the Falmouth High School orchestra led by Steve Edwards, the Falmouth Theater Guild Chorus, the Trade Winds barbershop quartet, harpist Katie Lynch Koglin, and singers Jennifer Perrault-Minshall and Abigail Dougherty.

Cleo Zani serves as emcee, introducing the Christmas songs and telling the audience a little about their origins, and Police Chief Anthony Riello did a nice job reading “Twas the Night Before Christmas” to an assemblage of children. The performance ended with a spirited holiday sing-along.

It was a nice, friendly holiday concert–neighbors celebrating with neighbors, a nice way to usher in the season.

Tickets are $12 for adults and $8 for students and seniors. Children 10 and under are admitted free. Maximum fee for families is $30. Tickets can be purchased at the box office by calling 508-548-0400 or at Eight Cousins, 189 Main Street, Falmouth.

Tomorrow and Sunday, there are about 87 holiday fairs and art shows and house tours (only a slight exaggeration) to appeal to every taste, and a Renaissance Fair in Woods Hole, as well as parades in several town. The Cape Cod Symphony Orchestra performs its annual holiday concerts this weekend too.

And if, perchance, you’re still not feeling festive by the end of the weekend, there’s another round of concerts and fairs, and performances next weekend. Ho, ho, ho!

The Beatles Come to Cape Cod

Friday, October 24th, 2008

Classical Mystery Tour
By MARILYN J. ROWLAND

Originally published in the Falmouth Enterprise on Friday, October 17, 2008.

The Beatles came to the Barnstable High School Performing Arts Center in Hyannis last Saturday evening and Sunday afternoon, in the form of the Classical Mystery Tour, a Beatles tribute band that specializes in performing with local symphony orchestras. The concert was the first in this season’s series of Pops concerts presented by Maestro Jung-Ho Pak and the Cape Cod Symphony Orchestra. The multi-generational crowd went wild, offering up not one, but three energetic standing ovations, singing and clapping along on cue, and having a glorious time, some remembering the magic of 40-plus years ago, and others feeling the energy of a “live” Beatles performance for perhaps the first time.

A Beatles orchestra performance may seem odd at first because the Beatles never performed live with an orchestra, but many Beatles songs were written for various degrees of orchestration and recorded with accompanying violins, cellos, horns, saxophones, and piccolo trumpets. “Eleanor Rigby,” for instance, was recorded with a double string quartet—no guitars at all, while trumpets add festivity to “Penny Lane.”
Some songs incorporated more instruments than others. According to Wikipedia, “Hey Jude” was recorded with an orchestra consisting of 10 violins, three violas, three cellos, two flutes, one contra bassoon, one bassoon, two clarinets, one contra bass clarinet, four trumpets, four trombones, two horns, percussion, and two string basses. In the original, the orchestra clapped their hands and sang along to the chorus. “All You Need Is Love” has a similar orchestral backup and includes snippets of classical works amid the melody.

Last weekend’s concerts began with an orchestral medley of some of the Beatles’ big hits. Mr. Pak conducted with verve and passion, but the orchestra-only rendition was missing some of the magic I had come to hear.

Finally the Beatles (Jim Owen as John Lennon, Tony Kishman as Paul McCartney, Tom Teeley as George Harrison, and Chris Camilleri as Ringo Starr) bounded out onto the stage, with almost enough energy for me to imagine that they really were the Beatles. They were all good musicians; the drummer was particularly impressive, and it was remarkable how much each singer looked and sounded like his Beatles character. Their costumes added to the illusion, beginning with their tailored suits, moving to Sgt. Pepper band uniforms, and finally to individual costumes, including a cream-colored suit, granny glasses, and longer hair for John. More use might have been made of a large screen behind the orchestra, which only occasionally displayed different colors, ripples on the water, or a peace sign.

The songs were all familiar to the audience and well-received. I was a little disappointed though, wanting the singers to be more like Beatles, to sound more like them, to sing with more characteristic harmonies, move more like them, express the Beatles’ quirky sense of humor more often, and to call each other John, Paul, George, and Ringo, not their real names. There was an occasional odd joke; toward the end, “John” said, “We only have time for a few more songs, and this song is one of them.” You probably had to have been there. It was funny in a nice Beatles-like deadpan way.
Highlights included Mr. Kishman’s rendition of “Yesterday” as Paul, with acoustic guitar and strings, which was appropriately tender. Good use of the orchestra was made on “All You Need Is Love,” and the trumpets were delightful in “Penny Lane.” I also enjoyed “Sgt. Pepper’s Lonely Hearts Club Band” for its varied and creative use of the orchestral instruments. “Eleanor Rigby” was satisfying, featuring string players. There was a nice echo effect in “A Day in the Life,” and the intensifying crescendo was excellent.

“While My Guitar Gently Weeps” included some impressive guitar playing (Eric Clapton played guitar in the recorded version) and some psychedelic musical effects. Mr. Kishman also took the lead in “Long and Winding Road,” looking and sounding remarkably like Paul McCartney at the piano, with most of the orchestra playing. As John, Mr. Owen did a good job on “Imagine.” “Hey Jude” was played as an encore, the overhead disco light flashing, and the entire audience enthusiastically singing along.

My main complaint was the sound system. The amplification of the guitars was excessive, obscuring more delicate and varied contributions of the orchestra, and the singers seemed to want to belt out every song, rather than offering some of the more nuanced renditions. All the rock equipment: guitars, microphones, amplifiers, and drums tended to hide the orchestra from view as well.

Jung-Ho Pak looked great in his Sgt. Pepper jacket, though, and he seemed to be doing a magnificent job conducting the orchestra, or various elements of it, through the performance.

Other blogs

Follow us on Facebook

Advertisement