Notes on the Arts by Marilyn Rowland

Notes on the Arts by Marilyn Rowland

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Archive for the ‘Music’ Category

A Glorious Fourth of July

Saturday, July 4th, 2009

There is nothing like a parade, especially on the 4th of July, and especially in Falmouth, which boasts a number of neighborhood parades. My family and I have been participating in the Moores Parade for several years now, me on flute, my son and daughter in playing sax and clarinet in various years, and my husband joining in on drums on occasion. It has always been a very festive parade, ending up back the home of Fran and Walter McLean for a wondrous potluck feast.

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This year we were invited to participate in the the Quissett parade by Joyce Gindra, who has taken over leadership of the band. I played flute, and my husband took photos. The Quisset parade starts at the Quissett Harbor House (to the left in the photo above), winds around the harbor, and turns around on Route 28A, returning to the Harbor House.

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It was a beautiful day, sunny, but not hot, and we started off energetically, playing as we marched: “Yankee Doodle,” “The Battle Hymn of the Republic,” and other tunes. This was the first time I have ever marched and played at the same time. The Moors band marches along, but stops to play songs along the way, then begins marching again. I have to admit it took some getting used to, to hold the flute just right so that the music was in view, and not bouncing around too much. In high school, I was one of a few who was not accepted for the marching band (I actually fainted during one incredibly hot August band rehearsal), so it was an accomplishment just to walk and play at the same time–no fancing march steps were involved today!

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The band and the parade itself was made up of people of all ages and marching abilities, and it was fun to be a part of it, as it rounded Quissett Harbor.

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Bagpipers played, and children on decorated bikes and scooters had a great time.

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There were many decorated cars of all vintages.

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And there were decorated dogs, riding, walking, and watching the parade.

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Political statements were made. This one has to do with the Appalachian Trail and Gov. Sandford.

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There was a violinist and another string instrument player behind her that I can’t quite identify.

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And there was a brightly colored serpentine dragon that stretched out for miles, or so it seemed.

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And all too soon, it was over. The band brought the festivities to a close with a concert of patriotic tunes. We got to play sitting down, and the sheet music stopped bouncing, and a good time was had by all.

Tonight the fireworks! Hope your Independence Day is glorious too!

Summer Begins…

Tuesday, June 16th, 2009

Summer really begins this week in Falmouth, with the start of the every-Thursday Falmouth Farmers Market in Peg Noonan Park on Main Street and the ArtMarket across the street in Town Hall Square.

Arts Alive, a three-day extravaganza of  local arts and entertainment activities begins Friday night with a Town Dance.

For more information on Arts Alive, and a schedule, click HERE.

For more information on the Farmers Market, pick up today’s paper. There is even a recipe for an omelet with spring herbs.

For more on the ArtMarket, see below:

Falmouth Cultural Council’s first ArtMarket is Thursday from 3 to 8 PM at Town Hall Square, on Main Street in Falmouth.

ArtMarket, which runs all summer on Thursday afternoons and evenings, features 30 local artists who create and sell paintings, greeting cards, ceramics, jewelry, fabrics, collage, glass and sculpture. Highlighted this week are galleries and showspaces and summer arts classes.

There is also information about what is going on around town: events, art shows, classes, performances, and festivals.

Musical entertainment this week, June 18, features, from 3 to 5:30 PM, the Duckham Duo, a clarinet and guitar duo playing swing era standards and jazz. From 5:30 to 8 PM, Manny and Linda Dias sing and play folk acoustic music on guitar and fiddle.

Sounds like fun to me!

Christmas in Falmouth Begins

Friday, December 5th, 2008

Christmas officially begins in Falmouth this weekend with Santa’s arrival Saturday morning, by boat, at the Flying Bridge Restaurant, where he is met by eager children and their parents (who are sometimes even more excited) and the Falmouth High School Chorus, singing holiday songs; the lighting of the Christmas tree on Saturday evening; and the Christmas parade down Main Street on Sunday.

This year, a new tradition begins: the Falmouth Theater Guild’s “Holiday Celebration,” with shows at 4 PM Saturday and Sunday. I saw the dress rehearsal last night and enjoyed this folksy Christmas celebration featuring local talent and lots of heart. The show is about an hour long; it is intended for the whole family, featuring music from the Falmouth High School orchestra led by Steve Edwards, the Falmouth Theater Guild Chorus, the Trade Winds barbershop quartet, harpist Katie Lynch Koglin, and singers Jennifer Perrault-Minshall and Abigail Dougherty.

Cleo Zani serves as emcee, introducing the Christmas songs and telling the audience a little about their origins, and Police Chief Anthony Riello did a nice job reading “Twas the Night Before Christmas” to an assemblage of children. The performance ended with a spirited holiday sing-along.

It was a nice, friendly holiday concert–neighbors celebrating with neighbors, a nice way to usher in the season.

Tickets are $12 for adults and $8 for students and seniors. Children 10 and under are admitted free. Maximum fee for families is $30. Tickets can be purchased at the box office by calling 508-548-0400 or at Eight Cousins, 189 Main Street, Falmouth.

Tomorrow and Sunday, there are about 87 holiday fairs and art shows and house tours (only a slight exaggeration) to appeal to every taste, and a Renaissance Fair in Woods Hole, as well as parades in several town. The Cape Cod Symphony Orchestra performs its annual holiday concerts this weekend too.

And if, perchance, you’re still not feeling festive by the end of the weekend, there’s another round of concerts and fairs, and performances next weekend. Ho, ho, ho!

The Beatles Come to Cape Cod

Friday, October 24th, 2008

Classical Mystery Tour
By MARILYN J. ROWLAND

Originally published in the Falmouth Enterprise on Friday, October 17, 2008.

The Beatles came to the Barnstable High School Performing Arts Center in Hyannis last Saturday evening and Sunday afternoon, in the form of the Classical Mystery Tour, a Beatles tribute band that specializes in performing with local symphony orchestras. The concert was the first in this season’s series of Pops concerts presented by Maestro Jung-Ho Pak and the Cape Cod Symphony Orchestra. The multi-generational crowd went wild, offering up not one, but three energetic standing ovations, singing and clapping along on cue, and having a glorious time, some remembering the magic of 40-plus years ago, and others feeling the energy of a “live” Beatles performance for perhaps the first time.

A Beatles orchestra performance may seem odd at first because the Beatles never performed live with an orchestra, but many Beatles songs were written for various degrees of orchestration and recorded with accompanying violins, cellos, horns, saxophones, and piccolo trumpets. “Eleanor Rigby,” for instance, was recorded with a double string quartet—no guitars at all, while trumpets add festivity to “Penny Lane.”
Some songs incorporated more instruments than others. According to Wikipedia, “Hey Jude” was recorded with an orchestra consisting of 10 violins, three violas, three cellos, two flutes, one contra bassoon, one bassoon, two clarinets, one contra bass clarinet, four trumpets, four trombones, two horns, percussion, and two string basses. In the original, the orchestra clapped their hands and sang along to the chorus. “All You Need Is Love” has a similar orchestral backup and includes snippets of classical works amid the melody.

Last weekend’s concerts began with an orchestral medley of some of the Beatles’ big hits. Mr. Pak conducted with verve and passion, but the orchestra-only rendition was missing some of the magic I had come to hear.

Finally the Beatles (Jim Owen as John Lennon, Tony Kishman as Paul McCartney, Tom Teeley as George Harrison, and Chris Camilleri as Ringo Starr) bounded out onto the stage, with almost enough energy for me to imagine that they really were the Beatles. They were all good musicians; the drummer was particularly impressive, and it was remarkable how much each singer looked and sounded like his Beatles character. Their costumes added to the illusion, beginning with their tailored suits, moving to Sgt. Pepper band uniforms, and finally to individual costumes, including a cream-colored suit, granny glasses, and longer hair for John. More use might have been made of a large screen behind the orchestra, which only occasionally displayed different colors, ripples on the water, or a peace sign.

The songs were all familiar to the audience and well-received. I was a little disappointed though, wanting the singers to be more like Beatles, to sound more like them, to sing with more characteristic harmonies, move more like them, express the Beatles’ quirky sense of humor more often, and to call each other John, Paul, George, and Ringo, not their real names. There was an occasional odd joke; toward the end, “John” said, “We only have time for a few more songs, and this song is one of them.” You probably had to have been there. It was funny in a nice Beatles-like deadpan way.
Highlights included Mr. Kishman’s rendition of “Yesterday” as Paul, with acoustic guitar and strings, which was appropriately tender. Good use of the orchestra was made on “All You Need Is Love,” and the trumpets were delightful in “Penny Lane.” I also enjoyed “Sgt. Pepper’s Lonely Hearts Club Band” for its varied and creative use of the orchestral instruments. “Eleanor Rigby” was satisfying, featuring string players. There was a nice echo effect in “A Day in the Life,” and the intensifying crescendo was excellent.

“While My Guitar Gently Weeps” included some impressive guitar playing (Eric Clapton played guitar in the recorded version) and some psychedelic musical effects. Mr. Kishman also took the lead in “Long and Winding Road,” looking and sounding remarkably like Paul McCartney at the piano, with most of the orchestra playing. As John, Mr. Owen did a good job on “Imagine.” “Hey Jude” was played as an encore, the overhead disco light flashing, and the entire audience enthusiastically singing along.

My main complaint was the sound system. The amplification of the guitars was excessive, obscuring more delicate and varied contributions of the orchestra, and the singers seemed to want to belt out every song, rather than offering some of the more nuanced renditions. All the rock equipment: guitars, microphones, amplifiers, and drums tended to hide the orchestra from view as well.

Jung-Ho Pak looked great in his Sgt. Pepper jacket, though, and he seemed to be doing a magnificent job conducting the orchestra, or various elements of it, through the performance.

Five Cellists

Friday, September 5th, 2008

There are four local cello concerts coming up (one featuring two cellists) this month. A bonanza for cellists and non-cellists alike. Everyone loves the cello, or at least that is what they tell me when I mention that I play. I usually smile and agree that good cello playing is wonderful.

Once, though, as I was wandering through an art fair with a cello/case on my back, I just said, “thanks.” The cello-lover said, “I didn’t necessarily mean you, personally.” (He hadn’t yet heard me play, but it was a little disconcerting, nevertheless.)

If you also love the sound of the cello, you may want to attend one or more of these events:

Improvisational cellist Eugene Friesen will play with his jazz trio, Tre Corda, at Highfield Hall in Falmouth, on September 14 at 4 PM.

Bo Ericsson and Elizabeth Schultze, husband-and-wife cellists, will play at the Cape Cod Conservatory in West Barnstable on September 19 at 5:30 PM.

Savely Schuster will play with pianist Sharon Mann on September 26 at Falmouth Academy.

And Denise Djokic will play with the Cape Symphony Orchestra in Hyannis on September 27 at 8 PM and September 28 at 3 PM.

Lift Your Spirits!

Wednesday, August 27th, 2008

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Everyone should see and hear the African Children’s Choir sing! Seeing them is not just entertainment; it is a rejuvenating experience. These amazing and energetic kids transmitted their joy and vitality to us, from the moment they danced onstage last night to the rhythm of their drums.

One of the concert organizers introduced them by saying, “Don’t be stiff New Englanders! Don’t feel the need to stay in your seats when they sing.” We were a little stiff–there was no dancing in the aisles, but everyone was smiling, applauding, and cheering wildly. We were deeply moved by these kids and by their music, much of which was spiritual in nature.

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As powerful as their music is the story behind the choir. These children, only 7 to 10 years old, have suffered much trauma in their young lives. Most have lost one or both parents to AIDS or other diseases, or warfare in their country, Uganda. Most have lived in poverty that we can scarcely imagine. The African Children’s Choir gives these kids a chance at life. Once they are selected and serve in the choir for a year, performing throughout the U.S., they are given free education through college, and over the 24-year history of the choir, children have grown up to become doctors, lawyers, engineers, and, yes, sometimes, musicians. The money they earn touring throughout the U.S. not only pays for their educations, but also for thousands more children in the countries of Uganda, Rwanda, South Africa, Ghana, Sudan, Nigeria, and Kenya.

The choir was organized by Ray Barnett, who was trying to raise money to help children in Uganda. People were becoming numb to all the requests for aid and all the photos of starving African children. He met a small boy who sang despite his hardships, and realized that music could truly be healing–not only to the children and the people who heard the singing, but it could help raise money. And, even more importantly, the choir could show the world the true potential and spirit of the children of Africa.

It’s a wonderful idea. And it seems to be working well. There are actually several African Children’s Choirs at any one time, one performing on the east coast, one on the west coast, and one in Canada. The more the better. A regular dose of these kids would lift a lot of spirits!

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Henry Winkler and the Pops

Friday, August 8th, 2008

Henry Winkler, fondly known as “Fonzie” from “Happy Days,” at least among a certain age group, is a warm and wonderful person, as those the many who have encountered him on his recent trip to the Cape, can attest. He visited Sandwich High School last Friday to promote his Hank Zipzer book series: autobiographical stories about a boy who struggles with learning disabilities. Winkler, who has dyslexia and had trouble with schoolwork, triumphed because of his undaunted comic spirit and resourcefulness, characteristics shared by Hank. I didn’t attend the Sandwich event, but heard Winkler was lots of fun, reading from his books, and staying overtime to autograph hundreds of books.

Last Sunday, Winkler appeared as the celebrity conductor for the Boston Pop’s Pops by the Sea concert in Hyannis. He conducted John Philip Sousa’s “Washington Post March” at the sold-out concert; 15,000 people attended.

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Henry Winker poses with the band Tripping Lily. Monica Rizzio presented Winkler with a copy of the band’s latest CD. Tripping Lily performed on Sunday as part of the pre-concert activities. Also performing were the Turner Avenue Quartet from Falmouth. David McTiernan, who plays with the quartet, also played piano during the VIP reception.

I met Henry Winkler at the VIP Reception and Benefit Auction for the Pops on the Saturday evening before the concert. He was friendly and funny, and he seemed genuinely interested in talking to people and patiently posing for one photo after another, even though he barely had a taste of his clam chowder or any of the many other exotic and exquisite hors d’oeuvres offered under the tent on the main stage, as the rain poured down all around us.

I had bought one of his books that afternoon, at Eight Cousins bookstore in Falmouth. I picked The Curtain Went Up, My Pants Fell Down because it was about Hank’s experiences in the school play. Hank’s grades are bad (Henry was in the bottom 3 % of his class, academically), and his father does not want him to waste time in the school play, “Anna and the King of Siam,” when he should be studying. He makes a deal with his dad that he can be in the play if he gets at B+ on his next math test. With the help of a smart fellow student, a girl he has previously disliked, as his peer tutor, Hank manages to get a B on the test. A B is an outstanding grade for Hank, who is more familiar with Ds, but his stern father forces him to withdraw from the play, even though he has the lead role.

I told Henry that I was reading the book and he seemed so genuinely pleased. We talked about the stories, which were based on his own experiences, and he told me that many of the people in the books were based on real characters in his life, and that his father really was that strict.

Starstruck, I forgot that I actually had the book with me until a few minutes later. I wondered whether I should bother him for an autograph (no one else seemed to have any of the books or be asking for an autograph). Encouraged by a friend, I approached him again with the book, and he seemed delighted to sign it, putting his chowder aside once again. Obviously, these books are very important to him, representing a victory over his own dyslexia and giving hope to kids with learning problems.

Winkler turned down initial requests that he write children’s books. He never wanted to be a writer; writing was just too difficult, and it remains challenging for him. Dyslexia never goes away; you just find ways of coping. One of Winkler’s ways of coping was by writing the series with a partner, Lin Oliver, who did the physical writing, while Winkler told stories about his life.

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Later, during the auction, Winkler read from one of his books and his enthusiasm was infectious, his reading dynamic and expressive; his whole heart was in it. In the selection, Hank was struggling with spelling. Asked why he was hitting himself on the head, he said, “I think that the words are holding onto my brain. I am trying to knock them into my mouth.”

The passage was funny and insightful. Having read one of the books, I would highly recommend them, and not only for kids with learning disabilities, but for anyone who enjoys humorous books about growing up and coping with daily life. All sorts of kids and adults populate these books: brainy kids, bullies, good pals, rigid teachers, understanding teachers, and strict parents. Winkler told us his parents used to call him “stupid.” How wrong they were.

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Winkler helped during the auction too, taking over from the professional auctioneer when his-and-hers Harley Motorcycle jackets came up for bid. Knowing that the VIPs weren’t exactly the leather motorcycle jacket-wearing type, Winkler, whose own leather jacket from his Fonz days now resides at the Smithsonian, beguiled and cajoled the audience, pushing the bids up by offering to autograph the jackets, until they finally sold for $1,700.

His big contribution came a little later when he auctioned off a set of autographed Hank Zipzer books and the opportunity to have a character in a future Zipzer book named after the winner. Bidding opened at $500, offered by Monica Rizzio of the band Tripping Lily, who wanted the character to be named Tripping Lily. It quickly rose, as Winkler charmed and coaxed the bidders, asking their names so he could personally them to bid higher, and keeping the audience laughing. Bidding finally closed at $5,000, just as one of the other bidders was prepared to go higher. Winkler resolved the problem by offering two identical prizes, bringing in a total of $10,000.

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Another of the big auctions of the evening was a hand-made Nantucket basket, which sold for $2,600. Even the auctioneer was surprised at how high the bidding was going, saying at one point, “This is a lot of money for something that will sit by the toilet and hold Sports Illustrated.” He later suggested it should go in the guest room, asking, “What the hell is in this basket?” When the bidding finally ended, the auctioneer announced that the basket-maker, who was at the auction, would make a second basket to that the two highest bidders could both receive a basket. “You should have mentioned that earlier!” said one of the winners.

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The big item of the evening, the Pops by the Sea painting, “Sea Notes,” by John Friedman, was auctioned off for $13,000, and two signed lithographs went for $500 each. The painting is a beach scene, showing eighth notes floating among the clouds.

Other items included four box seats at the Red Sox-Toronto Blue Jays game on August 17 for $1100, tickets to the Tony Bennett concert at the Melody Tent for $900, a lithography of Edward Kennedy’s boat Mya, to be signed by Senator Kennedy himself, for $2,300.

All told, the auction brought in $42,800 (by my calculations, which do not include numerous $100 contributions) for the Arts Foundation of Cape Cod. The audience had been advised to “bid with reckless abandon; this is not about saving a few dollars, this is about philanthropy.” The bidders had the right spirit. And a good time was had by all.

At the end of the auction, the Arts Foundation thanked the 507 volunteers involved in the Pops by the Sea, and Maestro Winkler was presented with his own conductor’s baton for the next day’s performance. He expressed his thanks, saying “I figure a chicken could conduct them.”

Perhaps, but we would all much rather have Henry Winkler do it.

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Rising Star: David McTiernan provided piano music during the reception. He is shown here with his parents Judy and Paul McTiernan. David attends New York University; the family lives in Falmouth.

Bluegrass Weekend

Monday, July 21st, 2008

Just back from the Grey Fox Bluegrass Festival in Oak Hill, New York (just north of the Catskill Mountains). It was hot, it was rainy, it was crowded, and there was a lot of hiking up and down the hill to the stage area, but there was lots of music and fun, and a good time was had by all.

It was a little disorienting setting up camp (4,000 campers camp on-site) on a level surface, after three years (for me) camping on a hillside at the former Grey Fox location. Having a flat surface to sleep on where your air mattress and you won’t slide into a crumpled heap during the night allows you to sleep through even the most determined all-night jam session.

grey-fox9stageviewsm.jpgView of part of the camping area from the side of the stage. Click for larger picture.

Grey Fox is a four-day event for people of all ages. There were infants, there were people in their 80s and there was everyone in between. They share a love of bluegrass, and most of them also play, some taking out their instruments as soon as they set up camp and fiddling all night long. The official performances start Thursday on the main stage. The bands play all kinds of bluegrass music: traditional, country, jazzy, improvisational, progressive, alternative, newgrass, gospel, you-name-it, to an vast audience who have arranged their folding chairs on the hillside.

grey-fox38audience.jpg Another view of the audience and stage.

Meanwhile, other performers entertain in the dance tent and the masters tent, my favorite tent, where the crowds are smaller and the performers talk about their music and answer questions, as well as share their music. There is a tent for those who want to learn to play and to play with others, and there is a family tent for the kids, which circus-style entertainment and other activities during the day, and movies at night. There is also a four-day Bluegrass Academy for Kids where this year 100 kids participated in classes in singing and playing various instruments, led by Brian Wicklund and taught by many fine bluegrass players/teachers.

I bring instruments to the Bluegrass Academy from Johnson String Instruments of Cape Cod: violins, violas, cellos, to give the kids an opportunity to try different instruments during an “instrument petting zoo.” It seems a little like taking coals to Newcastle, in they most people who attend bring one or more instruments. Jam sessions are a big part of the festival.

But there are banjo players who want to try the cello, and guitar players who want to try the fiddle, and people curious about the viola, so the instrument petting zoo is usually pretty busy, and I enjoy giving kids (and often their parents) a chance to play a new instrument. This year, we had a very fine young cellist come to try out our cello; he skillfully played Bach as well as bluegrass and improvisational jazz, and it was a joy to listen.

The Bluegrass Academy kids perform on Sunday afternoon, after most people have left. Usually I leave Sunday morning too. (It was a six-hour drive for me this year, though MapQuest claimed I could do it in four hours and 15 minutes, they did not take into account the heavy traffic, and my need to stop occasionally). This year, though, I arrived at Grey Fox late, about 7:30 Friday night, missing almost two days of music, so I decided to stay through Sunday to hear more.

Sunday turned out to be a great day. First, I joined the Town Hall meeting, where campers talked about ways to improve the festival, particularly relating to the new site. People were thoughtful and creative, a great group. Then, I trudged up the hill to the main stage to watch a group called Kindling Stone, who did a little bluegrass, a little religious music, and a couple of Shape Note (Sacred Harp) songs, which were perfect on a Sunday morning in the mountains.

They were followed by Missy Raines, who sings and plays the upright string bass, and her band, the New Hip, who played great improvisational jazzy bluegrass.

grey-fox51missysm.jpg Missy Raines

The best was yet to come, though: the kids from the Bluegrass Academy. Their parents were hootin’ and hollerin’ of course, but so were people like me, who appreciated what these kids (elementary school to junior high school age, generally) had learned in only a couple of days and how well they played together. I was delighted to see four cellists in the group, and like others in the audience, happy to see the tradition of this vibrant music continuing on through another generation.

grey-fox60bakseniorssm.jpgThe senior Bluegrass Academy players.

grey-fox63bakallsm.jpgAll 100 players and their teachers on stage.

Young @ Heart

Thursday, June 26th, 2008

Young @ Heart is a chorus in Northampton, Massachusetts, as well as a movie about the chorus, its challenges and successes. Two things make this chorus different from any other: the average age of the participants is 80, and they sing songs you wouldn’t expect them to want to listen to, let alone sing, with enthusiasm and good spirits, songs like “Fix You” by Cold Play, “Schizophrenia” by Sonic Youth, the Clash, “I Want to Be Sedated,” by the Ramones, and more.

When the movie starts, many of the senior singers express a preference for classical music and opera. You have to wonder whether they are being forced to sing crazy rock music so people will laugh at them. In many of the early rehearsals, directed by the chorus leader, Bob Cilman, singers are expressing their dismay at music like “Schizophrenia,” and you start to feel a little uncomfortable about the whole thing. Maybe if they could sing opera and songs from the 30s and 40s, they would be happier. They would be just another old folks chorus (not that there are that many of them), though; they wouldn’t be going on world tours or be the subject of a movie.

Watching the rehearsals is a little painful. Singers are not in tune, or in time, and some are asleep. They do not learn quickly. You want Bob to give their solo to someone else who can handle it. You want them to sing something easier. You want them to drop this facade and sing the songs they know and love.

But as the move continues, you realize that singing and being in this group of singers, is vitally important to each and every singer. While they may plug their ears with cotton when loud rock music is played, they seem genuinely interested in broadening their musical horizons and giving their own expression to classic and contemporary rock music. Yes, it is still funny to see and hear old people sing “I Feel Good!,” but you are also convinced that they do feel good, and that music is why they feel so good. As one chorus member says, “music does a lot for your whole body. All the chorus members share a love of music with their good friends in the chorus, and they enjoy the thrill of making their audiences feel good too.

As the movie progresses, you get to know some of the individual singers, and some turn out to be very good singers. You mourn the loss of two members along with them, members who die while the group is preparing for a big concert. Members are united in their feeling that if (or when) they were to die, they would want the others to continue. The show must go on, and it does.

The movie contains several excerpts from Young@Heart performances, as well as three very well-done music videos. It is all lots of fun to watch, and the concert and video singing is very impressive. The members do finally remember their words, and they come in when they are supposed to, even though they couldn’t do it the day before.

Bob Cilman, who has led this group for 25 years, can be a stern taskmaster, though he is also quite sensitive to the frailty of his singers. He has witnessed deaths of many chorus members over the years, and, thanks to him, the show does go on, and it is a great inspiration.

Young@Heart is currently playing at the Regal Nickelodeon 5, 742 Nathan Ellis Highway (Route 151), in North Falmouth.

Bluegrass on the Bogs

Tuesday, June 3rd, 2008

 

I‘m heading off-Cape this weekend to go to the Bluegrass on the Bogs festival about 30 miles away in South Carver. There will be a lot of local and regional bluegrass bands playing over the 2-day event: No Spare Parts, Lisa Bastoni and Chris Boucher, Bluegrass Invitation Review, Bradford Bog People, Crossfire, James Delnero & Lost Mountain, Falmouth Fiddlers, Harvest, Hickory Strings, Dawn Kenney Band, Matt Miklus, Oomph, Patmos Brothers Revival, Pine Hill Ramblers, Mike and Mary.

It promises to be a fun event; bluegrass music is energetic and exciting, without being overpowering. Most bluegrass bands have guitars, mandolins, violins, banjos, and a string bass, in one combination or another, plus singers. A couple of big-name bluegrass bands have cellos, notably Crooked Still and Abigail Washburn’s Sparrow Quartet, both of whom I enjoy. They are kind of alternative bluegrass/folk rock bands, both with female lead singers with delicate voices, more ethereal than hard-driving, and the cello adds a nice touch, supporting, rhythmic and deep. I have seen both bands perform at the Grey Fox Bluegrass Festival in upstate New York.

There won’t be any cellists at Bluegrass on the Bogs, though, so far as I know. Except me. I will be playing cello with the Falmouth Fiddlers. Nothing fancy; I’m an amateur player, like most of the other members of the group, and I started the cello fairly late in life. Mostly I will just try to keep up with the others. We (the Falmouth Fiddlers) will play old-time fiddle tunes, which aren’t as high-energy as standard bluegrass music, but are still quite fast-paced, and it is challenging to play these tunes quickly on a cello.

It’s fun though, even exhilarating, to play with other musicians, and to listen to the other bands. I enjoy it immensely, and I highly recommend it.

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